摘要
在表现人格分裂这一文学母题上,传统哥特小说以教化人类为己任,对角色的划分非善即恶,界限分明;现代哥特小说赞美自然人性,倡导真我的回归,人物的自我形象呈现出克里斯蒂瓦称之为"卑贱"的中立性特征。本文以乔伊斯·卡罗尔·欧茨的短篇小说《圣殿》为例,阐释现代哥特小说的自我认同观。
On the motif of split self,the traditional gothic fiction,assuming the responsibility of moralizing humankind,dichotomizes the characters clearly as 'good' and 'evil'.The modern gothic fiction,however,celebrates humanity and advocates the return of real self;therefore,the self of personae is characterized by neutrality which is termed 'abjection' by Kriestiva.Through the analysis of the short story entitled 'The Temple',the essay tries to illustrate the views on self-identification claimed in the modern gothic fiction.
出处
《外国文学》
CSSCI
北大核心
2011年第4期20-27,157,共8页
Foreign Literature
基金
四川外国语言文学研究中心科研课题"英美女性哥特小说主题研究"(SC-WY08-15)
