摘要
1962年初《红岩》出版后,很快在社会上引起了巨大的反响。1963年5月13日,《中国青年报》刊登了小说"作者"罗广斌、杨益言的文章《创作的过程,学习的过程———略谈〈红岩〉的写作》。多少年来,这篇文章成为人们描述小说《红岩》写作过程的唯一根据。2005年7月24日,论文作者到四川成都采访了原四川省人民艺术剧院编剧胡元先生。作为《红岩》作者们的朋友,胡元先生在1956年曾经目睹了《红岩》第一稿的写作。他对《红岩》写作过程的回忆为我们提供了另一种很不相同的叙述,从中可以看出,解放后的"业余作者"和他们的"文学创作"很大程度上是官方历史叙述和现实政治斗争的工具。
The publication in early 1962 of Staunch Revolutionaries aroused tremendous social repercussions before long,while May 13rd,1963 wintessed the publication in China Youth Daily of an article entitled ＂The process of writing is one of learning—A talk on the writing of Staunch Revolutionaries＂ by Luo Guangbin and Yang Yiyan,the ＂authors＂ of the novel.This article has been the sole grounds for representing the writing process of Staunch Revolutionaries for years.On July 24th,2005,the author of this paper paid a visit to Mr.Hu Yuan,an ex-editor with Sichuan Provincial People＇s Art Theatre,in Chengdu,Sichuan.As a friend of the novel＇s authors,Mr.Hu once witnessed the writing of the primary draft of Staunch Revolutionaries in 1956,while his reminiscence of the writing process of the novel is quite different from the one universally acknowledged,which reveals that ＂amatuer writers＂ and their ＂literary creation＂ after liberation were the tool for practical political struggle as well as official narration of history to a large extent.
出处
《海南师范大学学报（社会科学版）》
2011年第3期36-44,共9页
Journal of Hainan Normal University(Social Sciences)
关键词
《红岩》
集体写作
旁观者
政治高度
革命寓言
Staunch Revolutionaries
collective writing
onlookers
political consciousness
revolutionary fables
