摘要
在当代文坛上,苏童是一个在性别书写上颇具特色的作家。他对女性命运的书写和对男性心理的透视各有千秋,但他的人性书写并不是建立在历史和现实的维度上,赋予人性历史的内涵;也不是建立在对人性形而上的追问中,赋予终极性的意义;他的人性书写是基于一种对性别和命运的日常描述,并从个体生活的变迁中透视人生百态和宿命种种。他跨越了新时期文学以来主流的"启蒙"叙事边界,关注那些身处历史之流而背对大历史的个体,在还原部分民间生存真相的同时丰富了文学书写中"启蒙"视野之外的人性诗学。
Su Tong is a contemporary Chinese writer characterized by his gender narration. His narrations of women＇ s fate are as admirable as his insights into men＇ s mind. Such humanistic narrations of his are, however, neither based on the historical and realistic dimensions, which endow humanism with historical connotations, nor based on the metaphysical explorations for the ultimate significance of humanism. His are rather a kind of day-to-day descriptions of gender and destiny, and a perspective of human life and fate through vicissitudes of individuals＇ lives. Thus he has gone beyond the mainstream norms of the Enlightenment narration established during the last three decades, and turned to focus on the individuals who themselves are part of the history but are turning their back on the main events therein. This has enriched the humanistic poetics beyond the horizon of the Enlightenment literature by revealing part of the true life of ordinary people.
出处
《浙江师范大学学报（社会科学版）》
2011年第4期39-45,共7页
Journal of Zhejiang Normal University(Social Sciences)
基金
西南民族大学博士创新基金"苏童小说研究"(08SBS008)
关键词
启蒙叙事
性别书写
人性诗学
＂Enlightenment＂ narration
gender narration
humanistic poetics
