摘要
佛教艺术(含舞蹈艺术)都是为宣传和解释佛教教义而创造这些美丽的壁画和雕塑造型的。民间艺术家们都是相对特定的时代和特定的文化地域而言的。宗教艺术是生活的折光反映,记录了当时的舞蹈形态,这些形态,至今仍"活"在各戏曲艺术和古典舞、民间舞艺术造型和艺术创作中。敦煌壁画中累累出现"顺风旗"、"拉山膀"、舞长绸"8字花"等舞蹈艺术造型堪称经典。值得关注的还有山西大同云冈7窟"倒踢紫金冠"的舞姿,12窟出现的"跳铁门坎"的高难技巧动作等等。如果当时的舞者没有这些舞姿形态,画家、雕塑家是臆想不出这些舞蹈造型的。我们研究中国佛教艺术中的舞蹈艺术形象,既要继承我们伟大中华文化中历史悠久、绚丽璀璨的舞蹈艺术精神,更要紧紧抓住民族舞蹈之根,发展创新,最终目的是迎接中华民族的伟大复兴,使中国的舞蹈艺术能够雄踞世界舞坛之林。
Buddhism art including mural, sculpture, and dancing art is to propagandize and interpret Buddhism teaching. Folk artists refer to those living in a special region and as well as a special time. As a reflection of life, religious art records dancing forms of that time. In another word, such dancing forms are still living in many kinds of dramas, classical dancing, and folk dancing. We could find many classic dancing movements in Dunhuang mural. Especially, Yungang grottos present several difficult dancing techniques. If dancers of that time had not performed those techniques, how could painters, sculptors create such paintings and sculptures？ Making a research into dancing images of Buddhism art is to inherit our national dancing art, and especially grasp the spiritual essence of classical dancing ever passing down throughout Chinese tradition. If we could develop and innovate on the basis of national dancing root, then it will be no difficult thing to promote Chinese dancing to an international height.
出处
《艺术百家》
CSSCI
北大核心
2011年第3期43-61,共19页
Hundred Schools In Arts
关键词
中国传统文化
佛教艺术
舞蹈艺术
艺术形象
敦煌艺术
审美
考察
Traditional Chinese Culture
Buddhism Art
Dancing Art
Artistic Image
Dunhuang Art
Aesthetics
Exploration
