摘要
“飞动”意象是敦煌壁画的灵魂和经典符号,它赋予敦煌壁画独特的意境和鲜活的生命。“飞动”意象是多元文化交融的产物,是一个在特定时代特定语境下产生的物象。如敦煌壁画中的“飞天”形象,源于印度佛教文化又历经汉文化的浸润洗礼才最终形成,具有无翼状、群体性、舒展自如的飞动特质。从中华民族传统文化传承创新的角度,把握中国化的审美趋势和民族共同的情感认知,将“飞动”意象映射到现代舞蹈、现代绘画等艺术创作中,以原始意象为艺术创作源泉,着重发掘飞动美元素,活化“飞动”的姿态和线条,升华“言有尽而意无穷”的艺术意境,从而凸显“飞动”意象的时代张力。
"Flying image"is the soul and classic symbol of Dunhuang frescoes,which endows the Dunhuang frescoes with unique artistic conception and active vitality.This paper firstly analyzes the origin and characteristic representation of the"flying image",and claims that the"flying image"is the product of multi-cultural blending and an object image created in a specific era and context.For example,the"Flying Apsaras",which possesses the flight features of wingless,community and free stretching in Dunhuang,was originated from Indian Buddhist culture and finally formed after the infiltration and baptism of Han culture.Then,from the perspective of inheritance and innovation of Chinese traditional culture,the paper grasps the sinicized aesthetic trend and the common emotional cognition of the nation,advocating that the"flying image"should be mapped to the modern dance,painting and other artistic creation.It is believed that the original image should be taken as the source of artistic creation,focusing on exploring the flying beauty elements and activating the"flying"posture and lines,so as to sublimate the beauty of"words are exhausted but meaning is infinite"and highlight the era tension of"flying image".
作者
刘津颖
LIU Jin-ying(School of Arts and Design,Lanzhou Jiaotong University,Lanzhou 730070,China)
出处
《兰州交通大学学报》
CAS
2022年第1期162-168,共7页
Journal of Lanzhou Jiaotong University
关键词
敦煌
壁画
飞动
特征
Dunhuang
frescoes
flying
features
