摘要
写生是传统的绘画方式,随着当代艺术形式和手段的多元化,写生仍具有不可替代的地位。作者在写生时都应该清楚是自己主宰作品,而不是由写生对象来控制。作者要在写生中关注内心,追求表现,发挥对写生对象的感受力,运用符号性的画面语言,直接探讨如何运用绘画语言表现内心,从而扩展了写生的功能,使写生作品具有表现性和更强的生命力。
In the diversifying of contemporary art forms and means, sketching, as a traditional way of painting, still has its irreplaceable position. In sketching, painters should make clear that they control their works, focusing their inner feelings, pursuing expressive methods, meanwhile, expressing feelings to the sketching objects, using symbolic artistic languages and probing into how to express their inner feelings through picture languages. In this way they expand sketching function and make their sketching works more expressive and impressive.
出处
《衡水学院学报》
2011年第3期66-68,共3页
Journal of Hengshui University
基金
衡水学院科研项目资助课题(2010051)
关键词
写生
表现性
感受力
sketching
expression
feeling
