摘要
在中国古典园林中,远借塔影是园林营构中较常见的组景手法之一,它既拓展和延伸了景区的空间与视野,又丰富了景观的节奏和层次。借塔入园,以及塔影与山水之间营造出的诗画意境,正是中国文人特别欣赏和追求的,塔影也成为一个审美和寄情的符号。中国园林好借塔影,除了构景和审美上的妙处,还因为塔影具有福祉众生、主吉主旺、振兴文风等多重象征意味。在中国文人自身儒道释互补的精神追求下,塔影成为了一个满足人们复杂情感需求的文化景观。
Far tower shadow is one of the common landscape organizing approaches in classical Chinese gardens, which expands and extends the space and vision of the scenic area as well as enriches the rhythm and layers. The tower view in garden and the artistic and poetic atmosphere of tower shadow and sceneries is most appreciated and pursued by Chinese scholars, and tower shadow also becomes a symbol of appreciation and perception. In addition to the exquisiteness of scenery creation and appreciation, the tower shadow is also full of multiple symbolic meanings such as happiness and blessing, auspiciousness and prosperity, and revitalizing writing styles. In Chinese scholars＇ spiritual pursuit of self-integration of Confucianism, Taoism and Buddhism, tower shadow becomes a cultural landscape to meet people＇s complicated emotional needs.
出处
《中国园林》
北大核心
2010年第11期36-38,共3页
Chinese Landscape Architecture
关键词
风景园林
古典园林
塔影
文人
儒道释
landscape architecture
classical garden
tower shadow
scholar
Confucianism
Taoism and Buddhism
