摘要
涉及女性角色的汉代赋作,约占汉赋作品总数的1/5,数量远远超过我们以往的印象。在众多的汉赋作品中,作家们将笔墨主要集中在神女、美女和舞女们的身上,此类女性角色所占比例远远高出普通劳动女性。对这些女性角色的研究分析,不但让我们了解到女性角色在汉赋作品中展现出来的审美价值和文化意义,还让我们更加深刻地认识到,汉赋作家创作视野的焦点与盲区形成具有内在原因,对于我们全面认识和了解作家的创作与汉代社会政治、文化生活具有非常重要的价值。
Statistics and classification of the existing fu-poetry works in the Han Dynasty show that the fu-poetry works involving female characters take one-fifth of the total of fu-poetry works,which go far beyond our imagination.In numerous poetry works,the poets focused their description mainly on goddesses,beauties and dancing girls,the images of which exceeded far common working women.An analytic study of such characters presents us enough knowledge of aesthetic value and cultural significance represented by these female characters and makes us deeply recognize the internal reason for the focus and blind in the horizon of those fu-poetry writers,which is of very important significance to a wholesome understanding and knowledge of their literary writing and social politics and cultural life in the Han Dynasty.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第1期130-135,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学西部基金项目(09XZW003)
关键词
汉赋
女性角色
审美价值
汉代文学
fu-poetry in the Han Dynasty
female character
aesthetic value
literature in the Han Dynasty
