摘要
在明清时期的绘画中,女性形象以阴柔、忧郁为主要特征。明绘画中女性面容清秀,形象秀美,多为水墨写意用笔,风格洒脱,多有文雅清逸之韵致;至清代,绘画中的女性形象更显纤瘦柔弱,削肩长颈,垂目低颐,情趣冷漠伤感,且注重内在意蕴,追求诗的情致和境界。但是纵而观之,不难发现,其实每个时代的女性审美标准都是置于男性的审美视域里。
Females in the paintings of the Ming and Qing Dynasties are mainly characterized by their femininity and melancholy. In Ming paintings, the faces of women are handsome, the images are beautiful, the type is mostly freehand ink water painting, and the style is more about elegance and easiness. To the Qing Dynasty, the image of women in the paintings is even thinner and more effeminate They have American shoulders and long necks. Their eyes are looking down and their chins are low. The spice is cold and sad. The painters pay attention to the inner meaning and pursue feelings and the realm of poetry. But by taking a wide view of these painting, it is not difficult to find, in fact, the aesthetic standards of females in every age are under the domain of men＇s aesthetic.
出处
《铜仁学院学报》
2010年第5期126-127,132,共3页
Journal of Tongren University
关键词
明清绘画
女性审美
审美标准
Ming and Qing Painting
female aesthetic
aesthetic standards
