摘要
视觉影像现在几乎覆盖了我们对世界的全部感觉,生活的视觉化已经成为我们普遍的生存状态。为此,对于由影像组成的视觉媒介无论从表现内容还是从表现方式上都有必要进行文化的分析。我们有太多的事实可以来证明媒介的道德缺失,但是比媒介道德的"缺失"更具有颠覆性的问题是,我们正处在一个虚拟影像盛行的时代。在这个历史时代,图像越来越成为"谋杀真实的凶手",在这样的时代,媒介的修辞策略与表述的道德底线都面临着重新校正的问题。
Visual images almost cover all our senses of the world now.Visualization of life has become the general state of our existence.Therefore,it is necessary to make a cultural analysis of the content and form of the visual media which consist of images.We have numerous facts to prove the lack of media ethics.But what is more subversive than the lack of media ethics is that we are living in an era in which virtual images have come into vogue.In this historical era,pictures have increasingly become a ＂murder of the truth＂.In such an era,both the rhetorical strategies of media and the moral bottom line of representation are to be rectified again.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第5期124-129,共6页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
教育部哲学社会科学研究重大课题攻关项目<我国文化产业发展战略研究>(08JCD0034)
关键词
影像
视觉媒介
视觉文化
表述策略
社会伦理
道德底线
images
visual media
visual culture
representation strategy
social ethics
moral bottom line
