摘要
电影作为一种视觉艺术而存在,它的发现和完善得益于技术的发明和改进。特别是近年来,数字化电影所占的比例越来越多,技术的重要性更加凸显。然而这种新的技术也给电影艺术带来了不小的冲击,大量特技的运用,超出了人们的想象,电影的真实性又成为一个热点话题。而对数字电影时代艺术与真实的关系的探讨,有助于梳理巴赞"摄影影像本体论",重新审视经典电影理论的历史地位和局限性,为我国电影事业的发展提供一个新的视角。
The film exists as a visual art, and its discovery and development comes from technological inventions and their improvement. Especially in recent years, as digital movies gain greater proportion, the importance of technology gets even more apparent. However, this kind of new technology has also had a negative influence on the film. For example, stunts are so frequently used that they are beyond people＇s imagination and the authenticity of the film has become a hot topic. Through an analysis of the relationship between art and reality and a discussion of Bazin＇ s theory of ＂the ontology of the photographic image＂, this paper re-examines the historical status of the classic theories of the film and their limitations so as to provide a new perspective for the development of the film industry.
出处
《西南农业大学学报（社会科学版）》
2009年第1期121-125,共5页
Journal of Southwest Agricultural University:Social Science Edition
关键词
真实
艺术性
数字化
reality
artistry
Digitalization
