摘要
作为后现代社会的产物——后现代的审美在继承了后现代的主要特点"反本质、反中心"后是否真正的实现了审美上的无本质,即美就是生活、审美的日常生活化。后现代中的审美是否真正的把美从传统的美学象牙塔中解放出来,实现审美的自由。实际上,我们看到的是后现代语境中审美背后的权力问题,更是审美由一个囚牢走向另一个禁锢的过程。虽然处在"反中心"的后现代,但是后现代的审美却在表征着自己的权力,编制着另一个中心。
As a product of post-modern society,the aesthetic appreciation inherited the main features of the post-modern society. It is doubtable whether the post-modern aesthetic appreciation is librated from the traditional aesthetic appreciation or not. It is apparent that the post-modern aesthetic activity has become a question of power. Although we are at the ＂anti-center＂ society ,the post-modern aesthetic appreciation is characterized by its own powers.
出处
《鸡西大学学报（综合版）》
2010年第5期36-37,共2页
JOurnal of Jixi University:comprehensive Edition
关键词
后现代社会
审美
日常生活
权力
post-modern society
aesthetic appreciation
daily life
power
