摘要
与西方美学相比较,中国传统美学没有形成一套学科性的知识体系,而是以一种宽泛的审美文化形态而存在;与之相应,它的表述方式也不同于西方美学使用的概念清晰、逻辑严密的理论话语,而是以诗性话语为主。文化形态与诗性话语作为中国传统美学的两大特征,不仅具有突出的民族性,而且使审美认知与实际的艺术体验达到了高度吻合,对今天的文学艺术批评仍有重要的启示意义。
Compared to western Aesthetics which has formed a kind of specialized knowledge,traditional Chinese Aesthetics just has existed as a general cultural morphology.Correspondent with the difference,western Aesthetics has developed theoretical discourse,whereas traditional Chinese Aesthetics has chosen poetic discourse as the main way of expression.Cultural morphology and poetic discourse not only has embodied the native spirit of traditional Chinese Aesthetics,but also has brought a light to contemporary literary and artistic criticism as they are so helpful to bridge the gap between to know and to experience.
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2010年第5期158-162,共5页
Journal of Southwest University(Social Sciences Edition)
基金
四川大学哲学社会科学青年学术人才基金项目"中国现代文学学术史研究"
项目负责人:马睿
