摘要
作为一门分支交叉学科,中国少数民族美学的研究在研究对象、研究内容以及本学科的基本话语体系、学科建构等方面尚待深入和取得共识。中国美学本土化学科建设的困境与研究误区、民族美学研究力量的分散和后继研究队伍培养的部分断层,是影响民族美学研究取得长足进展的原因。中国少数民族美学研究,要立足中华民族文化的整体视角,既要建立各民族审美文化的主位意识,避免在中华民族审美文化的整体中"缺席",又要避免"自说自话"而忽视人类审美的共性规律。
Consensus has not been reached in the aesthetic research of the Chinese minorities, as an interdisciplinary subject, in terms of its research objects, research contents, the basic discourse system, and discipline construction. The reasons why much progress has not been made in the aesthetics of the Chinese minorities include the following: the dilemma and research mistakes in the discipline construction of the localization of the Chinese aesthetics, and the dispersion of the aesthetics research and the partial disconnection of the research team. The aesthetics research of the Chinese minorities should be based on the perspective of the whole Chinese culture. In this process, the subjective awareness of the aesthetic culture of each ethnic group should be established, thus avoiding its absence in the general Chinese aesthetic culture; on the other hand, the tendency should be evaded that each minor culture is isolated from the universal regularities of the human aesthetics.
出处
《汕头大学学报（人文社会科学版）》
2010年第4期28-34,共7页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
教育部2009年度新世纪优秀人才支持计划资助项目:"中国少数民族审美理论与实践研究"(NCET100000)
关键词
审美资源
民族美学
少数民族美学
审美文化
aesthetic resources
aesthetics of the Chinese nation
aesthetics of the minorities
aesthetical culture
