摘要
林先生思考诗歌形式的出发点始终扣住诗的根本目的及其与散文的本质区别,从诗歌语言要求飞跃性的特质着眼,指出古诗节奏和语言飞跃的自然关系,自由诗追求语言飞跃性的原理及其处理散文语言和生活语言的两难境地,有力地论证了新诗应当建立格律的理据。同时他又在借鉴古典诗歌的艺术经验和把握现代语言节奏的探索中,提出了由"节奏音组"和"半逗律"相结合组成典型诗行的理论,对于古诗体式的研究和新诗格律的建立都有重要的启示。
This paper explores the starting point of Lin Geng＇ s thinking on the form of poems. Focusing on the basic purpose of poems, its intrinsic distinction with prose, and the leaping characteristics of poems, he pointed out the natural connection between the rhythm of classic poems and the leaping of language, and also the dilemma between the inner leaping characteristics of free verses and their prose-style language, which form the basis for his argument that new poems should have their metric patterns and rhythms. In exploration the artistic experience of classic poems and the rhythm of modern language, he put forward the theory of typical stanzas which was composed of rhythm sound group and big pause, which boasts of important inspirations for the study of the form of classic poems and the metric patterns of new poems.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第4期133-142,共10页
Journal of Peking University(Philosophy and Social Sciences)
关键词
古诗形式
新诗格律
节奏音组
半逗律
典型诗行
form of classic poems
metric pattern of new poems
rhythm sound group
big pause
typical stanza
