摘要
因受理学思维的浸染,南宋部分"花草禽鸟"词或以理学意象蕴涵为系统单元,或以理学"活泼泼"的烛理方式构筑词的文学性思维,而有明显的理学意蕴特性。从理蕴深层考察,南宋"花草禽鸟"词的思理蕴涵多来源于理学"观造化之妙"等精义范畴,与传统比兴系统有较大区别,是对文学思维及表现手法的发展。
Under the influence of Li-xue,a new confucianism in Song Dynasty,Ci-poetry of flower-grass and bird（CFB）in South Song Dynasty sometimes exhibited double aesthetic efficiency by its expression,lexical or ideaistic,which was performed with a series of images similar to Li-xue.Originally speaking,the thought and inspiration of CFB were originated from Li-xue.Due to it being overflowed with Li-xue＇s character of apperception,the CFB was endowed with aesthetic connotation,radically different from the literary Bi-xing approaches.Accordingly,it was an important progress of expression and idea of literature.
出处
《嘉兴学院学报》
2010年第4期52-57,共6页
Journal of Jiaxing University
关键词
宋代
理学
南宋词
花草禽鸟
理学意蕴
Li-xue in Song Dynasty
Ci-poetry in South song Dynasty
Flower-grass and bird
Li-xue＇s connotation
