摘要
《奥兰多》是伍尔夫创作中别具一格的一部"小书"。以往关于《奥兰多》的评论或关注其间的"雌雄同体"思想,或探究"奥兰多"这一形象在不同文学文本中的演变,或从伍尔夫与奥兰多的生活原型维塔之间的关系出发,以同性恋研究等角度讨论该文本。从修辞性叙事理论的角度重读这一文本,可以看出伍尔夫在创作形式上孜孜以求的革新,她对于"如何叙"的深度思考成就了《奥兰多》在英国现代主义文学史上的特殊地位。
Orlando is a unique holiday book written by Virginia Woolf.Some previous discussions on this novel centered on its androgynous ideas,the evolvement of Orlando as a character in literary history,or the relationship between Woolf and Orlando＇s prototype Vita,discussing the novel from the point of view of lesbian studies.The present paper rereads Orlando from the perspective of rhetorical narratology,trying to approach the novel by analyzing the identity of ＂we＂ and ＂you＂ in the literary text and explore the author＇s construction of the narrator＇s identity and the communication between the text and the reader when answering the question of ＂how to narrate＂.Woolf industriously explores the ways to reform literary forms.Her reflections on ＂how＂ to tell the story contributes to Orlando＇s special position in modern English literature.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2010年第2期16-20,共5页
Journal of Shandong Normal University(Humanities and Social Sciences)
