摘要
面对现代人丧失自我之后,如何去把握和建构自我,昆德拉在"遗忘三部曲"中提出了新的见解。《慢》中提出快与遗忘易使人失去自我,只有在慢与记忆中才能回视存在。《身份》表明现代人变换身份的生存方式只能导致自我的遗失,建构自我身份还需还原自我本真的存在。《无知》将流亡者想重回故土去确证自我的梦彻底打碎。"遗忘三部曲"似要表明人随时随地都在追寻自我的建构,但无论何时何地人都无法建构完整的自我。
In the situation of self-loss, how a modem man should control and construct his real self is explored in Milan Kundera＇s Trilogy of Exile. Slowness points out that self is lost with quickness and oblivion and being is only found in slowness and memory. Identity makes clear that the identity alternation leads to self-loss and the construction of self is based on the existence of the real self. Ignorance dashes exiles＇ dreams of self-identifying with a story of an exile＇s heartrending returning experience to her native land. The trilogy indicates that man is in his never-ending journey to seLf-construction anywhere in his life and no completeness of self-construction could be achieved anytime and anywhere.
出处
《大连海事大学学报（社会科学版）》
2010年第2期104-107,共4页
Journal of Dalian Maritime University(Social Science Edition)
