摘要
作家担负着普遍的道德责任。熊正良在《别看我的脸》中表现了他对于当前道德现状的关注。叙事伦理的引入,使得他的小说更能贴近生命的真实感觉,产生切实的道德力量。在此他与肤浅的道德批判性文学划清了界限。而对拯救可能性而非必然性的叙述,在还原道德真实的同时,还拓宽了当代有关道德叙事的艺术空间。
The writer is shouldering the universal moral responsibility. XIONG Zheng-liang has displayed his attention on the current moral situation. The introduction of narrative ethics enables the novel to draw close to the life and to have the practical moral strength. He has made a clear distinction from the superficial moral critical literature. But the possibility rather than the non- inevitable narration of saving, not only returns to original morals, but also opens up the contemporary narrative art space.
出处
《江西教育学院学报》
2005年第5期94-97,101,共5页
Journal of Jiangxi Institute of Education
关键词
道德伦理
叙事
拯救
moral ethics
narrative
saves
