摘要
丰子恺的音乐功能观以1937年抗战开始作为分水岭,有前后两个不同的阶段:前一阶段倡导纯粹的音乐审美功能观,后期则"仁"字当头,强调音乐要与社会现实相联系。其后期的音乐功能观是对前期观点的儒家化修正,不仅体现了音乐艺术的本质特征,更具有时代主题和现实意义。
Feng Zikai＇ s conception of music function changed in 1937 when the Anti - Japanese War began. Before the war, he advocated purely aesthetic function of music, while the latter part, after 1937, he considered ＂benevolence＂as the most important function of music, emphasizing that music should be coupled with social reality. Basing on his conception in former period, the latter period of his conception integrates Confucianism, which not only embodies the essence of music, but also reflects the theme of the times and has practical significance.
出处
《嘉兴学院学报》
2010年第2期29-33,共5页
Journal of Jiaxing University
基金
2009年嘉兴市哲学与社会科学发展规划课题(嘉社科规办[2009]1号)
关键词
丰子恺
音乐
功能
审美
仁爱
Feng Zikai
music
function
aesthetic
benevolence
