摘要
当代文化产业,复制为其典型特征。学界以艺术必须坚持创造为立足点,认为复制的机械性颠覆了一切创造的可能,由此对复制文化展开批判。事实上,复制不是简单、机械的重复,而具有一种"再生式"的创造性,没有复制就无所谓创新,复制正是创新的起点。真正的复制在于能够超越原作本身,使复制的文本增值,从而实现自身的价值。复制作为当代文化产业存在和发展的必由之路,只有坚持继承之中有创新,创新之本是继承,才能推动文化产业蓬勃、健康、良性发展。
The contemporary cultural industry bears the typical feature of duplication.The academic circle holds that the development of art must rely on the creation as the cornerstone,whereas every possibility of which is countered by the mechanical nature of duplication.Consequently the culture of duplication is criticized.In fact,instead of a simple and mechanical process,the duplication is a 'recreational' creation.From another perspective,the reality of creation can be meaningless without duplication; the duplication essentially is the starting point of the creation.Further,the true effect of the duplication lies in the transcendence of the original itself,thus upgrading the value of the duplicated text,and realizing its own value.On the other part,the duplication as an inevitable course through which the contemporary cultural art industry should go in order to survive and develop,only by 'insisting the creation-oriented inheriting,and inheriting-based creation' can we witness a prosperous,healthy,and fine development of the cultural industry.
出处
《学术界》
CSSCI
北大核心
2010年第3期122-128,共7页
Academics
基金
广东省哲学社会科学"十一五"规划项目<诗何以群--文艺活动中的审美社会学研究>的阶段性成果(项目号:06HJ-01)
关键词
当代文化产业
复制
继承
创新
contemporary cultural industry
duplication
inheriting
creation
