摘要
杜甫《雕赋》是其求仕的最后一试。其诉求建立在两个支点上,一是光荣的家世,一是非凡的才能。重点在明志,该赋由是摆脱"乞怜之态"。雕的意象是"大臣正色立朝之义"的象征,关键是敢于直言廷诤,致君尧舜。因此该赋属"为情造文"的"诗人之赋"。在语体上则注重多视角、多层次铺叙的赋法及其语词的双指向,并由两组不同指向的语词造成依附性与野性间的张力。雕意象的二重性深刻地体现了杜甫人格的内在矛盾。
As Du Fu＇s last attempt to seek a position in the officialdom, Diao Fu is based on both his glorious family background and his excellent talents. With its focus on showing his ambitions, the Fu does leave out the impression of asking for pity. The image of the eagle is the symbol of officials＇ justice characterized by dating to protest against the authorities; therefore, the Fu is a poet＇s works composed for expressing his feelings. Stylistically, the Fu lays stress on multi-perspective and multi-level elaboration and the double reference of the phrases which form tension between dependence and wildness. The double images of the eagle deeply reflect the internal contradiction of Du Fu＇s character.
出处
《漳州师范学院学报（哲学社会科学版）》
2010年第1期37-42,共6页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
为情造文
杜甫
《雕赋》
文体创构
张力
composition for feelings
Du Fu
Diao Fu
stylistic construction
tension
