摘要
吴宓的"三境"说和王国维的"境界"说是中国文学批评史上重要的两个诗学理论。尽管二者的具体内涵不同,然而二者在创作来源、创作过程以及艺术鉴赏等方面都有着某些相通之处。描述并辨析这些异同之处,不仅有助于理解它们各自的理论内涵,更能帮助我们把握它们在中国文学批评史上的地位。
The Three-level Theory by WU Mi and the Level Theory by WANG Guo-wei are the two important poetic theories in the history of Chinese literary critics. In spite of their differences in content. The two are similar in such aspects as creation source, creation process and art appreciation. The analysis of their differences and similarities can lead to a deeper understanding of their connotation. In addition, it can help us know more about their status in the history of Chinese literary critics.
出处
《内江师范学院学报》
2010年第1期71-74,共4页
Journal of Neijiang Normal University
基金
重庆市哲学社会科学规划项目"吴宓与中外文化名人之关系研究"(2006-2H06)的中期成果
