摘要
从创造社的内部差异可以看到,与法国19世纪诗歌传统相联系建立起"诗"的观念的,是创造社京都作家,这里有着郑伯奇与成仿吾文学批评观的深刻差异,由此出现1924年"国民文学"的倡导,以及翌年以穆木天为主在《语丝》上与钱玄同的论争,构成中国现代文学中第一次"诗"与"散文"观念的碰撞。从中可见,"诗"的观念,对"诗"与"散文"之不同的认识,在进入"五四"后的新文学独立发展中是艰难的。
It is writers in Kyoto that established the viewpoints of poem. There were deep differences on literature criticism theory between ZHENG Bo-qi and CHENG Fang-wu. Then the advocate of national literature turn up in 1924. The debate between MU Mu-tian and QIAN Xuan-tong composd the first collision between ＂poem＂ and ＂prose＂ in modem chinese literature. So the independent development of new literature is difficult after the ＂May 4th＂.
出处
《燕山大学学报（哲学社会科学版）》
2009年第4期1-8,共8页
Journal of Yanshan University:Philosophy and Social Science
基金
国家社科基金项目"中国左翼文学研究"(05AZW002)
广东省哲学社科"十一五"规划项目"鲁迅与中国现代文学批评"(07J02)成果
