摘要
1990年代后期至新世纪初的几年,一批在1980年代以模仿西方现代派文学而领"新潮"、"先锋"之名的作家,纷纷走上了浪子回头的道路。本文回眸了他们的反刍经典现象,以及对于西方思想观念由漂浮、生硬的移植和抽象的演绎向本土经验更深层地介入与融合,将艺术创新所依赖的资源由国外转向民族传统等倾向。
From the late 1990s to the first period of new century,a group of writers,called ＂trendy＂ or ＂pioneer＂ and imitating the modern west literature in 1980s,returned one after another.The paper reviews this phenomenon of chewing the cud： these writers changed from abrupt transplant of the west thoughts to going deep into the indigenous experience,and they began to choose the materials for artistic innovation from national tradition,not form foreign resources.
出处
《南京师范大学文学院学报》
CSSCI
2009年第4期8-12,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
世纪之交
精英文学
浪子回头
at the turn of the century
elite literature
reform of a loafer
