摘要
中国传统的书画修复技术是一门古老而又深奥的学问,它所涉及的知识面非常广阔,是文物保护的一项重要内容。修复人员在实际工作中所面临的是一个又一个复杂的难题,为了保护好这些珍贵的文化遗存,在书画修复过程中我们既要以传统的修复理论为指导,又要有针对性地吸收国外同行好的修复经验,通过不断的试验、实践和总结,最终寻找出一条科学合理的修复方法。本文依照"最小干预、修旧如旧、可再操作性"的修复原则和理念,充分借鉴传统技术的优势,较好地解决了在修复绢本重彩绘画过程中对画绢和颜色的保护问题。
The restoration of traditional Chinese works of calligraphy and painting is an ancient esoteric discipline that requires an extensive body of knowledge,and is a major field within antiquities preservation.Restoration personnel in their everyday work face a series of complex problems in order to preserve well this precious legacy of antiquity.In the process of restoring calligraphy and painting,we take traditional restoration theory as our guide and in accordance with our needs draw strategically on the experience of overseas professional colleagues.Through constant experimentation and assessment of our experience,we ultimately develop scientifically rational methods.Following the principles of making only the smallest interventions,restoring things to their original old state and acting only to the extent possible, we attempt to use the advantages of ancient technologies to better resolve the question of restoring and preserving the colours in coloured ink paintings on silk.
出处
《故宫博物院院刊》
北大核心
2009年第4期143-148,共6页
Palace Museum Journal
关键词
绢本重彩
保护
黄明胶
固色
海藻胶
化纤纸
coloured ink on silk
preservation
huangming glue
guse
haizao glue
silk thread paper
