摘要
大多数的底层文学作品以揭示和批判现实缺陷为内容,将人物命运推向绝境,渲染苦难悲情以凸显其对现实刻画地深刻,这种写作模式严重制约着文学的艺术性和对现实的真实表达。刘庆邦和迟子建以"温情"拓宽了底层文学的表现领域和艺术风格,他们没有拘囿于对外在苦难的详尽描述,而是从人性和情感出发,试图以真善美来表现底层生活的另一面。"温情"作为个体克服苦难、宽慰灵魂的途径让作品在批判现实的同时有了积极的建构作用。
Most of the lower class literature reveals the underlying and critical defect of reality in content, putting the fate of the charaeters into an impasse, and making efforts to highlight the tragic plight to render reality in depth. But the writing mode severely restricts artistic effect of literary and the true expression of reality. By expressing ＂tenderness＂, Liu Qingbang and Chi Zijian broaden the range and art style of performance of lower class literature, going beyond the external detailed description of the suffering, but from human nature and emotion, attempting to show the other side of lower class life with trueness, goodness and beauty. ＂Tenderness＂ in the works, as a way for each individual to overcome the suffering and comfort the soul, plays a positive role in the construction of reality criticism.
出处
《柳州师专学报》
2009年第4期34-37,50,共5页
Journal of Liuzhou Teachers College
关键词
温情
壮美
优美
tenderness
splendidness
exquisiteness
