摘要
母题研究,是解读蒙古史诗的基础性工作之一。本文以史诗《罕哈冉惠传》为切入点,对普遍存在于蒙古史诗中的四个叙事母题的文化蕴涵做了研究,并得出了初步结论:1.出自单方登上"约定的宝日陶拉盖山头"的人,是在"悟得天意"后,与"天、天神"相会;2."金胸银臀",喻示了孩子是"日月"的后代,反映了蒙古先民对"日月"的崇拜意识;3.《左传》中"骈胁"一词,有可能来自狄族,蒙古史诗母题中尚有"肋骨无缝"一词语可为佐证;4."炒米"母题含"虐母"成分,与蒙古人至今保存的"敬母习俗"发生了严重抵牾,此母题可能是"外来成分(后期成分)"。
The Research of the theme of venter is one of the fundamental works to comprehend Mongolian epic. This article, starting with Biography of Hanharanhui, studies the cultural connotation in four narrative themes of venter that commonly existed in Mongolian epic and gets primary conclusions. 1. the person climbed up to the top of Taolagai Mountain alone on the promissory date was to date with the heaven, the god of the heaven after getting the providence ; 2. the boy with golden body and silver buns implies that the boy is the descendant of the sun and the moon. This reflects that the forefathers worshiping the sun and the moon; 3. the word “pianxie＇ （combined force） in Zuozhuan Biography was probably from Di ethnic group”. The word ‘there is no slot between ribs＇ in Mongolian epic could be the evidence to prove it; 4.the word ‘chaomi＇ （frying rice） in the theme of venter may have the element of ill-treating the Mother, it seriously betrayed the Mongolian morality of respecting the mother, therefore, maybe it came from other language.
出处
《中央民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第4期62-68,共7页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
关键词
蒙古史诗
《罕哈冉惠传》
母题
文化内涵
Mongolian epic
Biography of Hanharanhui
study of the theme of venter
