摘要
延安"新秧歌运动"的发生与特定地域的民间文化传统存在直接渊源关系,更与特定历史时期政治意识形态的诉求及其规约密切关联,是陕北传统秧歌与借助民族民间艺术形式,表现工农兵生活、实现文艺大众化,进而进行无产阶级意识形态建构的中国共产党的文化策略相遇合的产物。它的发生、发展及其深刻影响,无不决定了其作为一份历史文化遗产的重要意义。然而,由于多种复杂因素的影响,学术界关于该论题的相关研究,却走过了一个极其艰难曲折的历史发展过程。因此,对延安"新秧歌运动"研究的回顾与反思,既是关于一个特定历史事件及人们认识过程的回顾,也是关于学术研究方法及价值取向的一种反思。
Yan＇ an＇ s New Yangge Movement＇ s occurring was original associated with the folk literature and art in specific region, and also associated with the specific historical period＇ s political ideologies＇ appeal and its protocol. It was an artistic form, which included the traditional Yangge in Shanbei and the folk literature and art. It has shown the workeers, peasants and soldiers＇ life, realized the popularization of literature, and has constructed the proletarian ideologies of the Communist Party of China. Its occurring, development and profound influences has determined its significance as a historical and cultural heritage. However, because of many kinds of complicated factors, academic circle＇ s research of this thesis has an extremely hard and tortuous historical process. So, the retrospect and reflection of the Yan＇ an New Yangge Movement, not only an retrospect of a specific historical event and people＇ s cognitive process on this, but also a reflection of academic research method and value orientation.
出处
《青海师范大学学报（哲学社会科学版）》
2009年第3期104-110,共7页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
新秧歌运动
民间文艺
意识形态
New Yangge Movement
folk literature and art
ideology
