摘要
有"香港文坛教父"之称的作家刘以鬯毕生致力于"求新求异",其"实验小说"创作借鉴西方现代派文学理论,充满了探索性和先锋性。笔者结合他的一系列"反小说"创作,分析了刘以鬯对法国"新小说派"的新锐创作观及主要创新技巧如"客体写作"、"跳跃"、"环合"、"复现"和"开放性创作"等手法的吸收与借鉴,并指出其"求新求异"的叙事背后立足香港本土,着力表现香港社会现实以及小人物命运的深刻创作主旨。
Liu Yichang, ＂Godfather of Hong Kong Literary Circle＂, has devoted himself to the study and practice of narration patterns. He studied the literary theory of western modernism, especially the French New Fiction, and his experimental novels were of explorative and pioneering significance. This paper analyzes his writings, points out that Liu absorbed the theory and techniques of the French New Fiction, such as object writing, leap, annular, repetition and open writing. With these unusual writing patterns, Liu tried to reflect the social reality and the common figures fates in Hong Kong.
出处
《南京林业大学学报（人文社会科学版）》
2009年第2期58-63,共6页
Journal of Nanjing Forestry University(Humanities and Social Sciences Edition)
关键词
刘以鬯
新小说派
实验小说
客体写作
Liu Yichang
French New Fiction
experimental novel
object writing
