摘要
随着"新小说"对传统小说创作方法的颠覆,小说作为一种艺术形式存在合理性问题得以突显,也使文学与文化的关系有了重新构造的契机。小说样态从现实主义小说到心理小说,再到"新小说"的变迁,一方面体现人类运用语言把握对象方式的变迁,另一方面则体现了诗意在人类不断循环往复的文学创新中向历史深处的积淀。诗意在"新小说"艺术探索终极处的呈现,应被视作文学在面对混沌与深邃的世界时又一次向诗性的皈依。
The appearance of neo-novel reversed the traditional novel＇ s writing pattern, and consequently, a question becomes sharper than ever that whether novel, as an artistic mode, can be considered as a reasonable existent. At the same time, a chance to reconstruct the relation between literature and culture sticks out. In the course of novel transition, from realism to psychological style and then to neo-novel, we can find the evolution of the way by which human master the objects with language use, and also the deposition of poetry in continually repeated literature creation towards profound historical dimension. Thus the poetry presented at the ultimate end of aesthetical exploration in neo-novel should be regardeded as another return of the literature to the poetic nature when confronting such a chaotic and bottomless world.
出处
《海南大学学报（人文社会科学版）》
CSSCI
2009年第1期90-95,共6页
Journal of Hainan University （Humanities & Social Sciences）
基金
西安交通大学校长培植基金(1000.573002)
关键词
现实主义小说
心理小说
新小说
诗意
realistic novel
psychological novel
neo-novel
poetry
