摘要
《纽约三部曲》是奥斯特对后现代人的身份展开的一次探寻之旅。通过戏仿传统侦探小说,奥斯特揭示了小说人物身份的迷失:他们的身份或是存在于一种虚无缥缈的自我想象,或是被延推到一堆达不到终极的文字,或是迷失于寻求他者的认同中,从而反映出后现代语境中人的身份的不确定性和模糊性。
New York Trilogy can be seen as a quest by Paul Auster for the lost identity of the postmodern people.Through a parody of traditional detective stories,Auster relates the experiences of characters who lose their identity in rootless imagination of themselves,an endless deferred meaning of words,or a quest to be identified by the 'other',and in this way reveals the ambiguity and indefiniteness of people's identity in the postmodern context.
出处
《华南师范大学学报（社会科学版）》
CSSCI
北大核心
2009年第3期66-69,共4页
Journal of South China Normal University：Social Science Edition
