摘要
费希特的同一自我理论表明一个重要的飞跃,如果说古希腊的哲学是在智慧中实现自我的存在,包括康德在内的启蒙哲学在知识中确立自我的存在,那么费希特已洞察到行动与自我存在的内在关系,为现代哲学的存在观设计了实践的真实元素。费希特是一个关怀社会生活的哲学家,他的美学思想正是对现实生活的一种特殊关怀,突显了艺术在社会精神文化生活中的在场性。在现代性的视域和范式中理解费希特,费希特有着丰富而深刻的原创性美学思想,他关于美与文化的关系、艺术与技艺的关系、艺术与公共生活的关系、艺术与科学的关系、艺术与哲学的关系、艺术与道德的关系、艺术与爱的关系、艺术的自律、艺术的神性、艺术与人类进步等审美现代性的重要原理和命题具有独创的思想深刻性,并对当代美学产生了深远影响。
Fichte’s theory of self-identity represents a significant leap in philosophy. If it can be said that ancient Greek philosophy realizes the existence of the self in wisdom, and enlightenment philosophy (Kantian philosophy included) establishes the existence of the self in knowledge, then Fichte offers an insight into the innate nexus between action and self-existence, providing genuine practical elements for a theory of existence in modern philosophy. As a philosopher attentive to social life, Fichte develops aesthetic ideas that show special concern for real life and highlight the presence of art in the spiritual and cultural life of a society. Viewed in the field of vision and paradigm of modernity, Fichte is a philosopher whose rich and profound ideas on aesthetics show great originality. His major propositions and tenets about aesthetic modernity, such as those about the relations between beauty and culture, art and technique, art and public life, art and science, art and philosophy, art and morality and art and love, as well as those about the self-discipline and sacredness of art and about art and the progress of human society, are innovative and profound, and have exerted a far-reaching influence on modern aesthetics.
出处
《中国社会科学》
CSSCI
北大核心
2009年第3期19-31,共13页
Social Sciences in China
基金
教育部社会科学研究基金专项项目“德国古典美学的现代性视域”(批准号06JD720001)阶段性成果
