摘要
道教特有的神仙信仰在丰富和充实元杂剧内容的同时,使"仙凡仙——戏中戏"程式化结构成为可能,构成了元代道教戏剧与众不同的审美意蕴和艺术表现形式,促进了道教与戏剧之间紧密结合与良性互动,既形成盛极一时的元代道教戏剧又促进道教向民间进一步辐射和渗透。道教以其独特的神仙信仰系统丰富和充实了元杂剧主题内容,建立起仙凡仙和戏中戏的程式化戏剧结构。
Daoist belief system on immortals not only enriches the content of the drama in Yuan dynasty, but also makes the formularized structure possible and makes Daoism drama in Yuan dynasty different both in aesthetic implication and art manifestation. The mutually beneficial relationship between Daoism and drama enlarges the influence of Daoism and promotes the drama to be further prosperous as well. This paper aims at depicting the formularized structure and loop pattern of the Taoist drama in Yuan dynasty, analyzing its artistic features and causes of formation, disclosing the influence of Taoism on it and displaying its peculiar artistic value and contribution.
出处
《广西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第2期75-79,共5页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
电子科技大学青年科技基金(项目编号:JX0748)
