摘要
作为余华的第一部长篇小说,《在细雨中呼喊》带给人们的并不仅仅是历史的沉重和悲凉,也不仅仅是成长的恐惧和绝望,还有一幕幕滑稽与荒诞的反抗、一次次幽默与夸张的嘲解。正是这些浸满泪水的"笑声",使它摆脱了对历史苦难的简单控诉,并呈现出"黑色幽默"的审美特质。文本分别从其精神意蕴、叙事方式以及语言等方面,分析了它所具备的黑色幽默之特征,并进而指出了这种审美追求在余华后期创作中的重要意义。
Shouting in the Drizzle, Yu Hua＇ s first novel, brings people not only the heavy history and its sadness, or the dread and despair of growing up, but also a series of ridiculous and absurd resistance, a number of humorous and exaggerated taunts. It is the ＂laughter＂ with tears that frees the work from the simple condemnation of a history of the misery, and displays the aesthetic features of ＂black humor＂. From the aspects of spiritual implications, narrative style and language, this paper analyzes its ＂black humor＂ and, moreover, figures out the importance of this aesthetic pursuit in Yu Hua＇s later works.
出处
《浙江师范大学学报（社会科学版）》
2009年第2期1-6,共6页
Journal of Zhejiang Normal University(Social Sciences)
