摘要
"艺术很接近手工业"命题凝聚了黑格尔《美学》视阈与叙事的独创性及其价值关怀。该命题的内涵包括:艺术起源于手工艺劳动;艺术技巧与手工艺技能相似同构;"艺术"理应自觉"接近手工业"劳动。该命题是对古希腊排斥手工技能的"模仿"文艺观的颠覆,也蕴含着对近代艺术"糊涂观念"的批判。"艺术很接近手工业"命题表征了黑格尔所处时代"艺术"与"手工业"疏离的现实,以及黑格尔力图在"美学"领域弥合之的理想。身处"资本主义机器生产"时代的马克思受此启发,面对完全丧失"半艺术性"的"异化劳动"现象,提出了旨在使劳动主体和劳动过程都"按照美的规律建造"的艺术理想。
The proposition that ＂Art is very similar to handicraft＂ embodies the originality and value solicitude. The proposition includes： art originates from handicraft labor; art skills are similar to handicraft skills; ＂ art＂ should consciously ＂ approach handicraft＂ labor. The proposition is the subversion of ＂ imitation＂ art in which Ancient Greeks reject handicraft skills and it also contains the criticism upon ＂ confusion＂ of modern art. The proposition that ＂ art is very similar to handicraft＂ represents the reality of alienation between ＂ art＂ and ＂ handicraft＂ in Hegel＇s time and Hegels ideal to integrate them in ＂ aestheticism＂. Marx in ＂ the Capitalist machine production＂ era was enlightened by Hegel＇s ideas; Confronted with the phenomenon of ＂ alienated labor＂ completely deprived of ＂ half artisticity＂ , Marx put forward his art ideal that both the labor subject and the labor process ＂ construct according to the principle of beauty＂.
出处
《艺术百家》
北大核心
2009年第1期138-144,119,共8页
Hundred Schools In Arts
