摘要
场所理论是诺伯格·舒尔茨将现象学理论引入到建筑领域的结果,是建筑现象学的重要内容。以人为本是场所理论提倡的中心议题,是场所理论中重要的设计原则。环境陶艺是一种具有无限潜力的公共艺术,而场所理论中的人性化设计原则是一门不断完善发展的建筑设计原则。"它山之石,可以攻玉",建筑和环境陶艺都属于公共艺术范畴,它们之间在设计过程中必然会有着许多相同或形似之处。本文试图从视觉、触觉、嗅觉、听觉、味觉等几个方面来分别了解它们对建筑设计的作用,进而将其引入到环境陶艺设计当中。
＂Theory of Place＂ is the theory which mixed the theory of phenomenon and the theory of construction by Christian Norberg-Schulz. It is an important part of the construction phenomenology. Humanist, which is the central subject of the place theory, and which is the important principle of the place theory. The ceramic art of environment is the theory of public art which has the infinite potential, and the humanist theory is an developing architectural design principle. ＂stone of other mountain, may attack the jade＂ , construction and the ceramic art of environment are all areas which between them will have many similarities. This article attempts to understand the architectural design＇s function from the vision, the sense of touch, the sense of smell, the sense of hearing, the sense of taste and so on, then introduce it to the ceramic art of environment design.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2008年第12期81-82,75,共3页
China Ceramics
关键词
场所理论
人性化设计原则
环境陶艺
Theory of place, Principle of humanist, Ceramic art of environment
