摘要
场所理论是诺伯格·舒尔茨将现象学理论引入到建筑领域的结果,是建筑现象学的重要内容。以人为本是场所理论提倡的中心议题,是场所理论中重要的设计原则。环境陶艺是一种具有无限潜力的公共艺术,而场所理论中的人性化设计原则是一门不断完善发展的建筑设计原则。"它山之石,可以攻玉",建筑和环境陶艺都属于公共艺术范畴,它们之间在设计过程中必然会有着许多相同或形似之处。本文试图从对人物理层次和情感层次的关怀两个方面来分别了解它们对建筑设计的作用,进而将其引入到环境陶艺设计当中。
Place and place spirit as part of the place phenomenology was introduced into architecture by Norberg Schulz. The central issue of this theory is the man-oriented principle, and user-friendliness is always an end architects have been striving to attain. Environmental ceramics is a public art of infinite potentials. It has much in common with architecture. In this paper the user-friendly principle in architecture is characterized from the concerns of the man＇s physical and psychological needs and then its application in design of environmental ceramics is explored.
出处
《中国陶瓷工业》
CAS
2008年第4期50-51,27,共3页
China Ceramic Industry
关键词
场所理论
人性化设计原则
环境陶艺
＂place and place spirit＂ theory, user-friendly principle, environment ceramics
