摘要
高尔基的戏剧《在底层》向人们提出了许多道德哲学问题,它对俄罗斯20世纪戏剧的发展产生了深远的影响。当代戏剧家从不同的视角解读高尔基的这部戏剧,进而创作出许多以"底层"为主题的剧作,其中不乏一些引人深思的力作。在反映"边缘世界"的当代戏剧中,高尔基的戏剧传统与创作手法得以传承,关于人、神与信仰的对话得以延续。当代戏剧家继承了高尔基的人文主义传统,运用新的艺术形式塑造了充满人文主义精神的戏剧形象。性格各异的戏剧人物曲折、坎坷的命运及令人不堪忍受的生存环境构成了当代戏剧中的"底层"———"边缘世界"。
Gorky＇ s drama At the Bottom poses numerous ethical and philosophical problems, having far - reaching effects on the development of Russian dramas of the 20th century. Contemporary dramatists interpret this drama from different angles and write many dramas whose subjects are associated with ＂bottom＂, among which there are a lot of inspiring works. Among contemporary dramas reflecting the marginal world, Gorky＇ s dramatic tradition and writing skills are inherited, and dialogues between human beings, God and belief are continued. Inheriting the tradition of humanism and applying novel artistic forms, contemporary dramatists create dramatic images full of spirit of humanism. The frustrating fortunes and unbearable living environment of the dramatic characters constitute the ＂bottom＂ of contemporary dramas--the marginal world.
出处
《天津外国语学院学报》
2008年第6期55-60,共6页
Journal Of Tianjin Foreign Studies University
基金
2006年辽宁省教育厅高等学校优秀人才项目(2006R15)
关键词
底层
边缘世界
道德哲学问题
人文主义传统
bottom
marginal world
ethical and philosophical problem
tradition of humanism
