摘要
"意境说"是比较美学视野内中西审美主义相融合的现代产物,朱光潜与宗白华的"意境说"当中皆包孕了欧洲美学的基因,并成为了现代中国意境理论的两种"范式"。如果说朱光潜的"诗境论"是以审美主义为指归的话,那么,宗白华的"意境说"则与审美主义是内在同一的,二者代表了中国审美主义的不同方向。
Artistic conception, as a modem term, is the combination of Chinese and Western aestheti- cism. Theories of Zhu Guangqian and Zong Baihua embody important constituents from European aesthetics and form two paradigms of modem Chinese aesthetics. As two different orientations in Chinese aestheticism, Zhu Guangqian＇s theory regards aestheticism as the aim, and Zong Baihua＇s theory is inherently unified with aestheticism.
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第5期16-19,共4页
Journal of Anhui University(Philosophy and Social Sciences Edition)
关键词
比较美学
审美主义
意境说
朱光潜
宗白华
comparative aesthetics
aestheticism
artistic conception
Zhu Guangqian
Zong Baihua
