摘要
阿瑟.A.伯格的四部学术荒诞小说在戏仿传统侦探小说的基础上,把理论论证变成了小说的叙述,把小说故事变成了理论讨论,在碎片拼贴之中对某个学科各家各派理论主张全面加以介绍,从而解构了现实的谋杀而使之成为了一种话语运作的符号,提供了一种后现代小说创作的新规范。
The four academic absurd novels by Arthur Berger turn theoretical demonstration into narrative of novels, and story into theoretical discussion, which are based on the parody of traditional detective stories. They introduce all kinds of theories in different fields thoroughly with the collage, thus deconstructing a real murder, turning it into the sign in speech, which is a new norm to postmodern novels.
出处
《求是学刊》
CSSCI
北大核心
2008年第5期114-119,共6页
Seeking Truth
