摘要
宗璞的《红豆》自发表以来,一直颇受争议,主要是对其主题革命战胜爱情的分歧。用小说修辞学的方法,从叙述者、主人公、读者三个不同视角,可挖掘出导致文本主题与实际效果差异的深层原因:革命战胜爱情的确是作者最初的创作意图,然而这一意图并非发自内心,而是受当时政治压倒一切的时代氛围的影响。作者依靠了两个不同的身份——叙述者和主人公——分别传达自己的意图,而两个身份之间的不稳定性最终导致了作者的情感分裂。因此作者在极力表现这一主题时,显得用力不当,由此导致文本主题的不确定性。
The publication of Zong Pu＇s Red Beans has given rise to constant debates about its theme of ＂revolution is superior to love＂. The paper, from the perspectives of narrator, protagonist and reader and by means of narrative rhetoric, analyzes the underlying reasons for the deviation of actual effect from the author＇s intended theme. The theme of ＂revolution is superior to love＂ was indeed the author＇s original intention but, due to the overwhelming impact of politics in that era, was hardly the author＇s sincere belief. The narrator and protagonist in the novel respectively convey their intention, but the instability of these two identities eventually leads to the author＇s emotional dissociation. Therefore, the author＇s improper efforts to state the theme give rise to the indefiniteness of the novel＇s theme.
出处
《西南交通大学学报（社会科学版）》
2008年第4期83-86,共4页
Journal of Southwest Jiaotong University(Social Sciences)
关键词
宗璞
《红豆》
隐合作者
修辞叙事
Zong Pu
Red Beans
implicit author
narrative rhetoric
