摘要
明代诗学理论批评视野中的诗气论,主要体现在三个维面:对"气"作为诗歌之本的标树;对诗气审美特征与要求的探讨;从创作角度对诗气的考察。上述三方面,继续展开了诗气之论,使古典诗气论在多维面上得到了拓展、充实与深化。
Qi from the critical perspective in the poetry theory of Ming Dynastyins mainly embodied in three dimensions： the first dimension is the expression of ＂qi＂ as the essence of poetry; the second is the research on aesthetic features and requiems; the third one is the inspect of qi from the creative point of view. The three dimensions continue the discussion on the qi of the poetry, makes it extended, enriched and deepened in many aspects.
出处
《唐山师范学院学报》
2008年第3期39-42,共4页
Journal of Tangshan Normal University
基金
2007年度国家社会科学基金项目(07cwz001)
2007年度山东省博士后创新项目(200702037)
关键词
明代诗学
诗气论
本质标树
poety of Ming dynasty
discussion on qi
expression in essence
