摘要
明代文学正变批评主要在古典诗学与词学两大维面展开:从诗学正变批评而言,明人主要从诗体正变与诗史正变展开了阐说;从词学正变批评而言,明人则着力对词体正变予以了辨分与消解。两方面相互影响、相互渗透,为清代文学正变批评的深化与成熟提供了平台。
The literary criticism on orthodox school and variation in the Ming Dynasty mainly expand in two aspects： from the poetry criticism on orthodox school and variation, people in the Ming Dynasty mainly discuss the orthodox school and variation of the poetry body, and the orthodox school and variation of the poetry history; from the G-poetry criticism on orthodox school and variation, people in the Ming Dynasty exert them strength to differentiate and dispel the orthodox school and variation of the Ci-poetry body. The two aspects influence each other and permeate each other, provide the flat-top building for the deepen and mature of literary criticism on orthodox school and variation in the Qing Dynasty.
出处
《嘉应学院学报》
2005年第5期42-45,共4页
Journal of Jiaying University
关键词
明代
文学
正变批评
维面
展开
the Ming Dynasty
literature
the criticism on orthodox school and variation
aspect
expand
