摘要
发生在上世纪30年代的"两个口号"之争既来自于左翼文坛理论的分歧,更涉及复杂的人事纠缠。我们注意到,作为这一分歧的无形"中心"的鲁迅恰恰以自己独特的姿态与思考穿越了1930年代左翼文艺内部的人事纠纷,留给中国现代文艺一段深长的观察。在今天,分析和研究鲁迅的独特观察,是重新解读这一思想论争的重要基础。
In the 1930s, the dispute of ＂Two Slogans＂ is not only from the differences among the left literary theory, but also involves complicated personnel struggle. We note that, Lu Xun as the intangible ＂center＂ of the differences, his own unique attitude and thinking was beyond the internal personnel disputes in the left- wing literary circle through the whole 1930s, leaving space to the profound observation on Chinese literature and art. Today, analysis and study of Lu Xun＇ s unique observation is an important foundation for reinterpretation of the debate at that time.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第3期66-73,共8页
Journal of Sichuan University：Philosophy and Social Science Edition
