摘要
郑珍为诗,濡染于其师程恩泽,而与同代诗家祁寯藻、何绍基、曾国藩俱有宗宋倾向。但论者每谓郑诗师法韩、孟,并取元、白。其实郑诗取于韩孟,要在学问与脱俗两端,接引元白而去其俚俗,亦于二者为然。郑珍在创作上并溯韩、孟、元、白,却十分切合黄庭坚诗学强调学问和力避凡俗的基本主张,正是在这一根本的方面,郑珍诗显示了与山谷诗学的深层联系。
Together with other poets like Qi Junzao, He Shaoji, Zeng Guofan in Qing dynasty, Zheng Zhen, who is influenced by his teacher Cheng Enze, has the preference for writing poems in imitation of style of poems written during the Song dynasty. Though Zheng Zhen＇s poems are reviewed to follow Han Yu, Meng Jiao, Yuan Zhen, Bai Juyi, this paper attempts to emphasize that Zheng Zhen＇s poems absorb the style of Han Yu and Meng Jiao＇s poems and are free from the vulgarity in the poems by Yuan Zhen and Bai Juyi. Pursuing learning and refinement is the basic proposition of the poetics of Huang Tingjian. That shows the close link between Zheng Zhen＇s poems and the poetics of Huang Tingjian.
出处
《贵州教育学院学报》
2008年第1期66-69,共4页
Journal of Guizhou Educational College(Social Science Edition)
关键词
郑珍诗
山谷诗学
学问
脱俗
Poems by Zheng Zhen
Poetics of Huang Shangu
Learning
Free from Vulgarity
