摘要
诗歌与建筑的联系可以是形似(相似的形式结构),也可以是神似(相似的概念或情感的表达)。文章将讨论约翰·海杜克的诗与他设计的建筑的关系,旨在证实海杜克运用了这两种媒介在表达了"弦外之音"的同时,事实上也运用了类似的手法。这些手法虽然表达神的原理是相同的,但不是严格意义上的形似。文章讨论海杜克的两首诗歌与一个建筑作品的关系。两首诗歌是:德松维夫人和奥斯陆室。建筑作品是墙宅之二。
The relation between poetry and architecture can be established on similar in morphology or similar in semantics. This paper will examine John Hejduk’s architectural space in relation to his poetry in order to investigate Hejduk not only constructs otherness in these two media but also uses consistent strategies to construct otherness. Although these strategies serve to foreground the same concept, otherness, they do not adopt the same form. Two poems and one piece of architecture work of Hejduk’s is discussed in this paper. The two poems are： Oslo Room and To Madame D’Haussonille. The architecture work is Wall House 2.
出处
《时代建筑》
2008年第1期28-35,共8页
Time + Architecture
