摘要
宋濂与台阁体的关系是研究明初文学理论和文学创作的重要课题。本文梳理了有关宋濂与台阁体关系的不同观点,全面研究了宋濂的理学思想、文学理论与实践,认为:宋濂的文道一元论,是本于理学思想对文学的基本认识;他由山林而入台阁,执掌文坛,强调明道致用,因此推崇台阁文学;他的创作以宣扬理学思想为主,风格委婉含蓄、典雅平正,为其后台阁体作家的文学创作提供了范本。但宋濂不是台阁体作家,他的深刻思想与宏富创作也不是后世"台阁体"所能涵盖的。
The relationship between Song Lian and 'Tai Ge' literature is a major task of the literature research on the early Ming Dynasty.After summarizing different viewpoints about it,we think that study of Song Lian's thinking,literary theory and practice will contribute to it,and we may have a more clear and thorough understanding of this problem.The literary theory of Song Lian,is the basic understanding of literature based on his philosophical thought.As A literary leader,Song Llian respected 'Tai Ge' literature.His creative thinking mainly to promote physical.The work style is euphemism subtle and elegant lab,providing a model for the later writers.But Song Lian is not the one who only write 'Tai Ge' literature,his deeply thinking and creativity has transcended the area of 'Tai Ge' literature.
出处
《浙江社会科学》
CSSCI
北大核心
2008年第2期111-115,71,共6页
Zhejiang Social Sciences
关键词
宋濂
台阁体
文道一元论
文学研究
Song Lian,'Tai ge' literature,The overall concept of 'Wen and Tao',Literature research
