摘要
一个世纪以来,人们普遍将叔本华的悲观主义"天才观",作为王国维诗人观的根源,从而产生了严重的误解。这既影响了对王国维诗学革命内涵和意义的正确认识,也影响了对中国新诗学在传统与现代之间关系的理解。王国维在20世纪初首次将西方的"天才论"引入中国,而他的"天才"诗学观主要受到席勒人本主义诗学观的启迪,并吸收了中国传统诗学"胸襟"、"自然"等要义,在此基础上融会贯通而成。这是一个以人性自由和完善为主旨的人本主义理想追求,与中国现代诗学革命和文化转型的主旨也是一致的。
For the past century,it has been widely accepted that Wang Guowei's concept of the poet derives from Schopenhauer's pessimistic idea of genius.This has led to grave misunderstanding both of the content and significance of Wang's poetic revolution and of the role played by the new poetics poised between tradition and modernity.It was Wang who first introduced the concept of genius from the West into China at the beginning of the 20th century.His 'genius' theory of poetry is rather a coalescence of inspiration from Schiller's humanist poetics and some traditional Chinese concepts such as the state of mind(xiongjin 胸襟) and nature(ziran 自然).It represents a humanist pursuit of the freedom and perfection of human nature,a mission with the same goals as the poetic revolution and cultural transformation that took place in modern China.
出处
《中国社会科学》
CSSCI
北大核心
2008年第1期177-190,共14页
Social Sciences in China
