摘要
"陌生化"作为20世纪初俄国形式主义文学和美学理论的核心概念,与古希腊亚里士多德提出的"奇异词"这一诗学概念在理论内涵上颇多相通之处,但二者在理论语境和宗旨、理论内涵的深广度和理论构建的特点等方面有着明显的差异。俄国形式主义者的"陌生化"理论对亚里士多德的"奇异词"理论既有继承又有深化和发展,但又缺乏亚氏理论的辨证性而具有明显的片面性。当今的文艺理论研究应该客观审视二者的理论内涵和成就,公正地评价它们各自的理论价值和意义,使其继续为我们的文艺理论研究和文学创作实践提供切实有效的方法论指导。
As the core concept of Russian formalism at the beginning of the twentieth century, ＂estrangement＂ is greatly similar to the poetic concept ＂strange words＂ put forward by Aristotle in Ancient Greece as to the theoretical connotation. However, they are obviously different from each other regarding theoretical context and purpose, depth and breadth of connotation and characteristics of theoretic construction, etc. ＂Estrangement＂ theory of Russian formalists not only inherits but also further develops ＂strange words＂ theory by Aristotle. However, it lacks the dialectic aspect of Aristotle＇s theory. In the present study of literary theory, we should objectively examine the theoretical connotation and achievement of the two theories, and justly evaluate their respective theoretical value and significance to make them provide practically valid method for our study of literary theory and creation.
出处
《廊坊师范学院学报》
2007年第6期21-24,共4页
Journal of Langfang Teachers College
